Key Features

• 24.5 megapixel FX format CMOS sensor with high signal-to-noise ratio, wide dynamic range and 12-channel readout.
• ISO 100 – 1600: extendable up to 6400 (equivalent) and down to ISO 50 (equivalent).
• 5fps consecutive shooting (7fps in DX Crop mode)
• EXPEED image processing engine with 14-bit A/D conversion and 16-bit image processing for superb tonal gradation.
• Advanced Scene Recognition System combines the camera’s metering and AF sensors for precise exposures and sharply defined images.
• Multi-CAM3500FX 51-point AF system. Individually selectable or configurable in 9-point, 21-point and 51-point coverage settings.
• Picture Controls streamline in-camera image processing by enabling customization of image parameters before capture and offer complete control over sharpening, contrast, brightness, hue and saturation in various color modes.
• 920,000-dot 3-inch VGA LCD monitor with wide, 170-degree viewing angle.
• Live View with Autofocus enables composition of images using the LCD monitor. Two modes are supported: Handheld or Tripod.
• Two Crop Modes: DX format and 5:4 ratio. The DX crop mode can be automatically enabled when a DX lens is attached.
• Quick response: approx. 40 ms shutter-lag and 55 ms viewfinder black-out.
• Highly accurate, durable Kevlar/carbon fiber-composite shutter unit: Standard rating of 300, 000 cycles, with a maximum shutter speed of 1/8,000 sec and flash synchronization at up to 1/250 sec.
• Active D-Lighting enables superior high-contrast images by automatically applying tone compensation at the moment of capture.
• Dual CF card slots: configurable for parallel (simultaneous) or serial (consecutive) recording.
• HDMI video output interface enables connection to high-definition video systems.
• Intuitive ergonomics with optimized button placement for fast and comfortable handling.
• Durable magnesium alloy body built to withstand the rigors of the harshest of environments.
• Wireless LAN and Ethernet support via optional Wireless Transmitter WT-4.
• Optional GPS and wireless transmitterOptical viewfinder achieves approx. 100%*6 frame coverage and 0.7x*7 magnification in FX format
• Three sensing areas: FX format (36 x 24), DX format (24 x 16), and 5:4 (30 x 24)
• Customizable function button
• Lets you shoot up to approx. 4,400 frames on a single battery charge*8

Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.

Nikon D700 12.1MP Digital SLR Camera (Body Only)

Nikon D700 12.1MP Digital SLR Camera with 24-120mm f/3.5-5.6G ED IF VR Nikkor Zoom Lens

Read more about the Nikon D700

The Nikon D700 also features 5fps continuous shooting (8fps with optional MB-D10 battery pack), EXPEED image processing engine with 14-bit A/D conversion and 16-bit image processing for superb detail and tonal gradation, 51-point AF system, Live View function, 920,000 dot 3-inch VGA LCD monitor with wide, 170-degree viewing angle, HDMI video output and Active D-Lighting. The D700 also includes several function improvements over the D3 including Image Sensor cleaning (’sensor shake’), more flexible ‘hard button’ programming, virtual horizon in Live View and different DX mode indication on the focusing screen. The D700 also becomes the first professional Nikon DSLR to sport a built-in flash.

Nikon D700 Key Features

• 12.1 megapixel FX (full-frame) CMOS sensor with high signal-to-noise ratio, wide dynamic range, and built-in self-cleaning sensor unit that minimizes dust.
• ISO 200 – 6400: extendable up to 25600 (equivalent) and down to ISO 100 (equivalent).
• 5fps continuous shooting (8fps with optional MB-D10 battery pack with lithium-ion battery EN-EL4a or 8 AA batteries).
• EXPEED image processing engine with 14-bit A/D conversion and 16-bit image processing for superb detail and tonal gradation.
• Advanced Scene Recognition System combines the camera’s metering and AF sensors for precise exposures and sharply defined images.
• Multi-CAM3500FX 51-point AF system. Individually selectable or configurable in 9-point, 21-point and 51-point coverage settings.
• Picture Controls streamline in-camera image processing by enabling the pre-set customization of image parameters such as sharpening, contrast, brightness, hue and saturation in various color modes.
• 920,000 dot 3-inch VGA LCD monitor with wide, 170-degree viewing angle.
• Live View with Autofocus enables composition of images by use of the LCD monitor. Two modes are supported: Handheld or Tripod.
• DX Crop Mode can be automatically enabled when a DX format lens is attached.
• Quick response: approx. 40 ms shutter-lag.
• Active D-Lighting enables superior high-contrast images by automatically applying tone compensation at the moment of capture.
• HDMI video output interface enables connection to high-definition video systems.
• Intuitive ergonomics with optimized button placement for fast and comfortable handling.
• Durable Magnesium alloy body: moisture and dust resistant.
• Wireless LAN and Ethernet support via optional Wireless Transmitter WT-4.

Nikon D700 Press Release

Nikon FX-format digital SLR – exceptional performance combined with superior mobility and functional versatility to provide serious photographers with outstanding value

TOKYO – Nikon Corporation is pleased to announce the introduction of its newest FX-format digital SLR, the Nikon D700.

The D700 features an FX-format first introduced with the Nikon D3. Highly praised for its outstanding features, the D3 established a new level of professional performance in terms of overall image quality, extraordinarily low noise, ISO sensitivity range, continuous high-speed shooting, color gradation, image crispness, durability, weather-resistant operation, system versatility and more.

The new D700 incorporates an extensive array of features that boast a level of performance that is in many ways comparable to the D3. At the same time, it derives a wide range of benefits – including functionality, flexibility and operability – from the more agile D300, Nikon’s flagship DX-format D-SLR.

The D700 has everything it takes to satisfy a broad spectrum of photographic needs. The 12.1-megapixel FX-format CMOS sensor with a sensing area of 36.0 x 23.9 mm; a sensitivity range of ISO 200 to 6400; continuous shooting at up to 5 frames per second (and up to 8 fps with the optional Multi-Power Battery Pack MB-D10; Nikon’s exclusive 51-point AF system; Scene Recognition System for optimum autofocus, auto exposure and auto white balance detection – these are but a few of the advanced capabilities of the extraordinary new D700.

Major Features

Large image sensor, developed by Nikon; 12.1 effective megapixels

The D700 employs an FX-format CMOS image sensor with an area of 36.0mm (h) x 23.9mm (v). It provides superior picture quality throughout a wide ISO sensitivity range, with advantages that include a large pixel size to ensure a higher signal-to-noise ratio and wide dynamic range, and improved circuit layout to efficiently increase the strength of the electrical signal from pixels. High-speed, 12-channel readout enables fast continuous shooting of high-resolution images at up to 8 frames per second (with Multi-Power Battery Pack MB-D10 and Rechargeable Li-ion Battery EN-EL4a/4 or eight AA-size batteries).

Wide sensitivity range

The D700 offers an extremely wide sensitivity range of ISO 200 to 6400. It delivers extraordinary image quality at low sensitivity settings, while also delivering outstandingly low-noise characteristics at ISO settings as high as 6400. Furthermore, sensitivity can be increased to HI 0.3, HI 0.5, HI 0.7, HI 1 (ISO 12,800 equivalent), HI 2 (ISO 25,600 equivalent), or decreased to Lo 1 (ISO 100 equivalent), Lo 0.7, Lo 0.5 and Lo 0.3, to expand shooting versatility.

High-speed performance

Features a startup time of approximately 0.12 second, and a shutter release time lag of only 40 ms* – both equivalent to the flagship Nikon D3. The continuous shooting speed is up to 5 frames per second with the included Rechargeable Li-ion Battery EN-EL3e, and up to 8 fps when using the optional Multi-Power Battery Pack MB-D10 and Rechargeable Li-ion Battery EN-EL4a/4 or eight AA-size batteries. The Nikon D700 is also compliant with the next-generation high-speed UDMA CompactFlash cards, that will enable 35-Mbyte recording speed.

* Based on the new CIPA guideline established in August 2007.

EXPEED image processing

Nikon’s state-of-the-art EXPEED digital image-processing incorporates remarkable intelligence and technologies accumulated and optimized throughout our long history. It makes possible a diverse range of functions that ensure superior picture quality and high-speed image processing.

Scene Recognition System

Improvements to the exclusive 1,005-pixel RGB light sensor have allowed information from the sensor to be utilized for auto exposure, auto white balance and autofocus. 3D-Tracking in AF, for example, achieved by using the Scene Recognition System, tracks subject position and automatically shifts the AF points used to match the subject’s movement within the frame. This system also contributes to higher accuracy of auto exposure and auto white balance detection.

Picture Control System

Nikon’s Control System enables users, from novices to professionals, to create the pictures they envision by making specific selections and adjustments to image sharpening, tone compensation, brightness, tone and saturation. Even with different cameras, when the settings are the same, you get the same picture tone. Picture Control System offers four fundamental setting options – Standard, Neutral, Vivid and Monochrome – for easy customization of image parameters.

Active D-Lighting lets photographers choose from various intensities – Auto, High, Normal, Low or OFF (Unchanged) – prior to shooting. Instead of employing the conventional compensation method of simply expanding dynamic range, localized tone control technology is utilized to ensure proper contrast and eliminate flat images with lost highlights and shadows.

AF system with high-density 51-point AF

The D700 incorporates a Multi-CAM 3500FX autofocus sensor module featuring 51 AF points. Fifteen cross-type sensors located in the center enable subject detection with lens apertures as small as f/5.6. The functioning of the AF points is linked to the Scene Recognition System, to deliver superior subject detection and focus tracking performance. A single AF point can be selected from the 51 or 11 focus points. In Dynamic-area AF mode, you can select from either 9, 21 or 51 AF areas. The 51-point option offers 3D-Tracking mode, which automatically shifts the focus point to match the subject’s movements. Auto-area AF mode gives greater priority to the subject’s position when selecting AF points.

Choose from two Live View modes

Live View allows shooting while confirming the subject on the 3-inch, 920,000-dot color LCD monitor. In Handheld mode, which lets you recompose the frame prior to actual shooting, ordinary TTL phase-detection AF is activated, using all 51 AF points including 15 cross-type points. Tripod mode is designed for precise focus accuracy with still subjects and tripod stabilization. It enables focal-plane contrast-detect AF on a desired point within a specific area. Remote view, focusing and shooting can also be controlled from a PC (via connection or wireless) using optional Nikon Camera Control Pro 2 software.

The Nikon D700 lets you select from either FX format (36 x 24) or DX format (24 x 16). At the default setting of [Auto DX crop], the camera will automatically select DX format when a DX NIKKOR lens is attached.

High-definition, 3-inch VGA, TFT LCD monitor with wide viewing angle

The ultrahigh-definition [920,000-dot VGA (640 x 480)], 3-inch LCD monitor with tempered glass provides a 170° viewing angle. The large monitor is remarkably effective when confirming the focus with enlarged playback images. The wide viewing angle enables easy recomposing of the frame in Hand-held mode with Live View.

Viewfinder provides 95% frame coverage, 0.72x magnification in FX format

The viewfinder features an eye-level pentaprism with high refraction index and provides 95% frame coverage with 0.72x magnification. Fifty-one AF points and a framing grid are superimposed on the finder screen. The eyepoint is 18 mm (at –0.1 m-1), and the diopter can be adjusted within a range of –3 to +1 m-1.

Vibrations at four different resonant frequencies remove dust from the optical low-pass filter in front of the image sensor. This function is automatically activated each time the camera is turned on and off, and can also be activated on demand by the photographer.

Built-in flash with wireless commander function

With a guide number of approximately 17/56 (m/ft., ISO 200, 20°C/68°F) and 24mm lens coverage, the high-performance built-in flash enables i-TTL flash control that evaluates flash exposure with greater precision for exceptional results. Compatible with the Nikon Creative Lighting System, the built-in flash controls up to two groups of remote units as a master/commander in Advanced Wireless Lighting.

A magnesium alloy is used for the exterior cover, rear body and mirror box to reduce weight and provide rugged durability. O-ring sealing where connections are made gives you valuable protection against dust and moisture. The shutter unit developed and manufactured by Nikon employs shutter blades made of a new material (a hybrid of carbon fiber and Kevlar). Tested on fully assembled cameras, the D700’s shutter unit has been proven through 150,000 cycles under demanding conditions. The self-diagnostic shutter constantly monitors and maintains shutter precision.

The optional Multi-Power Battery Pack MB-D10, which uses one Rechargeable Li-ion Battery EN-EL4a/4/3e or eight AA-size batteries, is equipped with a shutter-release button, AF-ON button, multi selector, and main- and sub-command dials. When attached, it enables high-speed continuous shooting of 12.1-megapixel images at a rate of up to 8 fps*. * When using EN-EL4a/4 or eight AA-size batteries.

Exclusive Wireless Transmitter WT-4/4A (option)

The WT-4/4A supports both wired LAN (10BASE-T, 100BASE-TX) and wireless LAN (IEEE 802.11b/g, 11a), and incorporates a thumbnail mode. A PC allows wireless connection of up to five cameras, for display of thumbnail images and downloading of selected images. Using Camera Control Pro 2 (option) and the Live View function, wireless remote view/control shooting is also possible.

The focal point in AF for the current CPU lenses can be fine-tuned and registered. A certain level of adjustment set for up to 12 lens types is applied when a lens of the same type is attached. When using a lens that has not been registered, the same level of adjustment can be applied.

Improved Function button feature

In addition to the exclusive Function button, this feature can be assigned to the Preview button and the AE/AF Lock button, for optimum flexibility. Furthermore, NEF copy recording together with JPEG image can be assigned to the Function button.

HDMI output (High-Definition TV) supported

The D700 complies with HDMI (High-Definition Multimedia Interface) Ver. 1.3a for the transfer of global-standard video and audio signals. A Type C mini connector is provided.

Various shooting information is displayed on the LCD monitor, including shutter speed and aperture. Character color can be adjusted to match lighting conditions – black for light locations, white for dark locations. Auto switch mode can also be set.

A variety of setting options can be customized under My Menu, then added to, deleted and reordered.

Electronic Virtual Horizon

Using a sensor incorporated in the body, the inclination of the camera is detected and displayed in the LCD monitor.

ViewNX/Nikon Transfer image-management software included in Software Suite CD-ROM

The ViewNX viewer application offers quick display of images; Nikon Transfer enables simple transfer of taken images to a computer.

Nikon Digital SLR Camera D700 Specifications

Some clever hackers are reporting to have found reference to the D3X deep within the updated (and now terminated version 1.10) firmware of Nikon’s D3. The reference includes a list of resolutions available for the upcoming D3X (see below) which refers to the Nikon D3X being 24.4 megapixel with a resolution of 6048×4032 pixels.

History show that Nikon first introduces a fast, lower-resolution camera, then follow up around 1 year to one a half years later with the X version with about double the resolution of the original, as was the case with the D1 and D2 models. So when can we expect to see the Nikon D3X?  There is no word yet, but expect to see an announcement for D3X sometime around August 2008 to February 2009.

The Nikon P80 also features VR optical image stabilization, ISO sensitivity up to ISO 6400, face priority auto focus, in camera red eye fix, and sports continuous shooting mode allowing as many as 30 consecutive pictures at 13 fps.

Get a price at Amazon for the Nikon Coolpix P80 10.1MP Digital Camera

Nikon Coolpix P80 Press Release

NIKON “ZOOMS” IN ON PERFORMANCE WITH THE NEW COOLPIX P80, AN 18X ZOOM COMPACT CAMERA

MELVILLE, NY (April 10, 2008) – Nikon Inc. is pleased to announce the COOLPIX P80, a high-performance compact camera built to satisfy the needs of camera enthusiasts and family photographers alike. The P80 harmoniously integrates a 10.1 megapixel CCD image sensor with Nikon’s innovative EXPEED™ digital image processing concept and an 18x optical Zoom-NIKKOR lens designed with the compact and comfortable styling of the Nikon COOLPIX brand.

“The COOLPIX P80 addresses a need from consumers for an ultra-zoom compact camera that offers unrivaled Nikon performance and clarity,” said Bill Giordano, General Manager, Marketing, COOLPIX for Nikon Inc. “Nikon is proud to continue delivering the highest quality imaging products for photo enthusiasts and aspiring photographers with a broad range of creative control options and superior imaging ability."

Packing the power of 10.1 megapixels, the P80 captures fine detail with the creative freedom to crop and edit. The P80 features Nikon’s legendary NIKKOR optics, ensuring quality images even while at a distance to subjects. The P80’s 18x Zoom-NIKKOR lens covers focal lengths from 27-486mm (35mm format equivalent). To ensure steady shots while utilizing the camera’s versatile zoom capabilities, the COOLPIX P80 is equipped with Optical Vibration Reduction (VR).

In line with other COOLPIX P-Series cameras, the P80 includes intuitive controls via dedicated command and mode dials, providing easy access to shooting controls and exposure mode settings. The P80 offers Programmed Auto [P], Shutter-priority Auto [S], Aperture-priority Auto [A] and Manual [M] modes granting users the ability to tap into the creativity of D-SLR functions while maintaining the simplicity of COOLPIX functionality. What’s more, the P80 has the benefit of an all-new Sport Continuous Mode, allowing users to shoot as many as 30 consecutive pictures at four, six, or a quick 13 frames per second.

Capturing photos in lower light conditions is no problem for the P80. With a light sensitivity range up to ISO 6400², users can now create new opportunities to capture more natural-looking photos with minimal light, or fast moving subjects with unparalleled clarity.

Composing and reviewing photos is an enjoyable experience on the large, 2.7-inch LCD monitor with anti-reflection coating, wide viewing angle and 230,000 dots of high resolution. An eye level electronic viewfinder is available for quick easy viewing in challenging lighting conditions.

The P80 also offers quick access to a selection of 15 different scene-optimized and movie modes including the ability to shoot pictures in both black and white and color simultaneously. The new graphical user interface has an enhanced pop-up design allowing for more precise menu navigation and interaction.

Nikon has incorporated its user-friendly Imaging Innovations into the P80, designed to make the photo-taking process easier and more intuitive. These technologies, referred to as “Nikon In-Camera Innovations” include In-Camera Red-Eye Fix™, D-Lighting, and Face-Priority AF. In-Camera Red-Eye Fix™ automatically detects and corrects red eye, a common condition that occurs in flash photography. In playback mode, D-Lighting compensates for excessive back-light or insufficient flash in images. Nikon’s enhanced Face-Priority AF automatically finds and focuses on one person’s face or up to 12 people’s faces within one frame. Face-Priority AF provides faster and sharper focus to produce clear, crisp portraits wherever the subjects are positioned in the frame.

The COOLPIX P80 comes packaged with Nikon’s COOLPIX Software Suite for organizing, editing and sharing photos. It also has PictBridge support and is compatible with SD/SDHC cards. The COOLPIX P80 will be available nationwide beginning April 2008 and has an MSRP of $399.95**. For more information about the P80 and other COOLPIX cameras, please visit www.nikonusa.com.

The Nikon S52c has the same features as the S52 but includes the addition of Wi-Fi allowing images to be sent directly to the computer or email via its Wi-Fi connection, as well supporting my Picturetown, Nikon’s photo sharing and storage service. Like the S52 the S52c also features optical lens shift image stabilization, ISO sensitivity from 100-3200, Face-priority AF, In-Camera Red-Eye Fix, and is available a range of colours including Silver and Purplish Black.

Get a price from Amazon for the Nikon Coolpix S52c 9MP Digital Camera Zoom with 3x Optical Vibration Reduction Zoom with Wi-Fi

Nikon Coolpix S52 Press Release

NIKON INTRODUCES THE NEW COOLPIX S52 and S52c, STYLISH CAMERAS DESIGNED TO OPTIMIZE YOUR PICTURE TAKING AND SHARING EXPERIENCE

New Style Series Cameras Boast Stunning Design and Innovative Sharing Technologies

MELVILLE, NY (April 10, 2008) – Nikon Inc. is pleased to introduce the new COOLPIX S52 and S52c to its Style Series of digital cameras. These cameras combine Nikon’s stunning wave-surface camera body with advanced features designed to produce incredible pictures with ease. With 9.0 effective megapixels, a 3x, 38-114mm Zoom-NIKKOR lens, Optical Vibration Reduction (VR) Image Stabilization and manual sensitivity settings as high as ISO 3200, the COOLPIX S52 and S52c are for consumers looking for a stunning camera that takes equally stunning photos.

“We are pleased to introduce the COOLPIX S52 and the S52c to our Style Series line of compact cameras, as they combine an elegant camera design with advanced imaging capabilities," says Bill Giordano, General Manager, Marketing, COOLPIX for Nikon Inc. “With the versatile COOLPIX S52 and its Wi-Fi enabled counterpart, the S52c, users will have the opportunity to take incredible pictures with exceptional detail and sharpness."

The COOLPIX S52 and S52c feature Optical VR Image Stabilization technology, which compensates for camera shake as well as ISO capabilities up to 3200, which provide more opportunities to capture fast moving subjects and greater flexibility and clarity when shooting in low-light settings. These cameras also boast an AUTO ISO control, which automatically selects the optimal sensitivity across a range between ISO 100 and ISO 800, and up to ISO 2000 in High-Sensitivity mode.

Providing even more control and freedom in photo taking, the S52 and S52c come with a 3x Zoom-NIKKOR lens designed to capture brilliant detail and vivid colors in every photo and a huge 3.0-inch high-resolution LCD screen allowing easy sharing and viewing of images. Also, these new cameras are built on Nikon’s innovative EXPEED™ digital image processing system designed to enhance noise reduction and improve the signal-to-noise (S/N) ratio.

Like all cameras in the COOLPIX line, the S52 and S52c include Nikon’s unique image innovations including enhanced Face-Priority AF, which automatically finds and focuses on up to five faces within the frame; In-Camera Red-Eye Fix, which can automatically detect and correct red eye in a photo; and D-Lighting, which compensates for excessive backlight or insufficient flash in images.

The Wi-Fi enabled S52c can send images directly via email through its Wi-Fi connection, as well as support my Picturetown, Nikon’s photo sharing and storage service. Through my Picturetown, users can email pictures directly to friends and family, publish pictures to the photo community sharing Website Flickr®, and link their photos to blogs and social networking sites. Pictures can also be sent to the email addresses of a BlackBerry® device for viewing.

The S52 and S52c both feature the Pictmotion function which will allow users to combine their favorite movies and photos and create in-camera slide shows with music including songs uploaded from iTunes®.

The COOLPIX S52 and S52c come packaged with Nikon’s exclusive COOLPIX Software Suite for organizing, editing and sharing photos. The S52 and S52c are SDHC compatible and utilize Nikon’s ultra-compact EN-EL8 rechargeable Li-ion battery. The S52 will be available in Crimson Red and Midnight Black. The S52c will be available in Vibrant Black.

The COOLPIX S52 and S52c will be available nationwide in May 2008. The S52 has an MSRP** of $249.95, and the S52c has an MSRP** of $299.95. For more information about these and other COOLPIX cameras, please visit www.nikonusa.com.

The Nikon S52 also features optical lens shift image stabilization, ISO sensitivity from 100-3200, Face-priority AF, In-Camera Red-Eye Fix, and is available a range of colours including Gloss Silver and Purplish Black, Coral Pink, Beige Gold.

Get a price from Amazon for the Nikon Coolpix S52 9MP Digital Camera

Nikon Coolpix S52 Press Release

NIKON INTRODUCES THE NEW COOLPIX S52 and S52c, STYLISH CAMERAS DESIGNED TO OPTIMIZE YOUR PICTURE TAKING AND SHARING EXPERIENCE

New Style Series Cameras Boast Stunning Design and Innovative Sharing Technologies

MELVILLE, NY (April 10, 2008) – Nikon Inc. is pleased to introduce the new COOLPIX S52 and S52c to its Style Series of digital cameras. These cameras combine Nikon’s stunning wave-surface camera body with advanced features designed to produce incredible pictures with ease. With 9.0 effective megapixels, a 3x, 38-114mm Zoom-NIKKOR lens, Optical Vibration Reduction (VR) Image Stabilization and manual sensitivity settings as high as ISO 3200, the COOLPIX S52 and S52c are for consumers looking for a stunning camera that takes equally stunning photos.

“We are pleased to introduce the COOLPIX S52 and the S52c to our Style Series line of compact cameras, as they combine an elegant camera design with advanced imaging capabilities," says Bill Giordano, General Manager, Marketing, COOLPIX for Nikon Inc. “With the versatile COOLPIX S52 and its Wi-Fi enabled counterpart, the S52c, users will have the opportunity to take incredible pictures with exceptional detail and sharpness."

The COOLPIX S52 and S52c feature Optical VR Image Stabilization technology, which compensates for camera shake as well as ISO capabilities up to 3200, which provide more opportunities to capture fast moving subjects and greater flexibility and clarity when shooting in low-light settings. These cameras also boast an AUTO ISO control, which automatically selects the optimal sensitivity across a range between ISO 100 and ISO 800, and up to ISO 2000 in High-Sensitivity mode.

Providing even more control and freedom in photo taking, the S52 and S52c come with a 3x Zoom-NIKKOR lens designed to capture brilliant detail and vivid colors in every photo and a huge 3.0-inch high-resolution LCD screen allowing easy sharing and viewing of images. Also, these new cameras are built on Nikon’s innovative EXPEED™ digital image processing system designed to enhance noise reduction and improve the signal-to-noise (S/N) ratio.

Like all cameras in the COOLPIX line, the S52 and S52c include Nikon’s unique image innovations including enhanced Face-Priority AF, which automatically finds and focuses on up to five faces within the frame; In-Camera Red-Eye Fix, which can automatically detect and correct red eye in a photo; and D-Lighting, which compensates for excessive backlight or insufficient flash in images.

The Wi-Fi enabled S52c can send images directly via email through its Wi-Fi connection, as well as support my Picturetown, Nikon’s photo sharing and storage service. Through my Picturetown, users can email pictures directly to friends and family, publish pictures to the photo community sharing Website Flickr®, and link their photos to blogs and social networking sites. Pictures can also be sent to the email addresses of a BlackBerry® device for viewing.

The S52 and S52c both feature the Pictmotion function which will allow users to combine their favorite movies and photos and create in-camera slide shows with music including songs uploaded from iTunes®.

The COOLPIX S52 and S52c come packaged with Nikon’s exclusive COOLPIX Software Suite for organizing, editing and sharing photos. The S52 and S52c are SDHC compatible and utilize Nikon’s ultra-compact EN-EL8 rechargeable Li-ion battery. The S52 will be available in Crimson Red and Midnight Black. The S52c will be available in Vibrant Black.

The COOLPIX S52 and S52c will be available nationwide in May 2008. The S52 has an MSRP** of $249.95, and the S52c has an MSRP** of $299.95. For more information about these and other COOLPIX cameras, please visit www.nikonusa.com.

Read more about the Canon EOS 1Ds Mark III

Read more about the Nikon D300

Read more about the Nikon D3

The Nikon D40X is an update of the previously popular D40 and features a 10.2 megapixel DX CCD sensor (the D40 was 6MP), ISO of 100 to 1600 (extendable to 3200), burst mode of 3 frames per second and a 2.5 inch LCD screen (230,000 pixels).

Apart from the larger megapixel count, extended ISO range and increase burst mode it’s largely the same as the D40.

The Nikon D40X measures 126.0 x 94.0 x 64.0mm and weighs 481 grams. 

PCWorld reviews the Nikon D40X and writes;
“The camera’s image quality is superb, especially from ISO 100 to ISO 800; color noise increases when you shoot at ISO 1600 or 3200, but that’s a normal trait of digital SLRs in this price range.”

DigicamReview reviews the Nikon D40X and writes;
“The Nikon D40x is a compact 10 megapixel Digital SLR that produces great image quality, with very low noise levels. Images are bright, detailed, and colourful with lots of saturation, and the camera produces pleasing JPEG images. This makes it a great starter Digital SLR, because you simply point and shoot and you should get great results. ”

Steve’sDigicams reviews the Nikon D40X and writes;
“This new Nikon D40x continued to impress us, offering speedy performance, great image quality, and loads of user-friendly exposure options…I feel the Nikon D40x digital SLR package offers an outstanding value for the amount of camera you are receiving for the money. ”

PhotographyBlog reviews the Nikon D40X and writes;
“Indeed, the D40x now costs almost as much as the Canon Digital Rebel XTi / 400D and the Sony A100, which are less beginner-friendly but more accomplished and full-featured all-round packages than the D40x. Compared to those cameras, the D40x is a less attractive proposition than the D40, which still has the significant advantage of a lower price tag. So if you only need to make A4 prints, choose the D40. Anything larger and you should seriously consider the D40x’s main rivals, which is ultimately why the D40x only scores a Recommended award.”

Megapixel reviews the Nikon D40X and writes;
“At 3200 ISO, noise is clearly more pronounced, but images remain fully useable…In view of the few differences between the D40x and the D40, one wonders why Nikon did not release the D40x in the first place. While there is little doubt that purchasers of the D40x will appreciate the increase in resolution, when images captured with the D40 and D40x are compared, it is difficult to detect any qualitative differences.”

Shutterbug reviews the Nikon D40X and writes;
“So, I can only assume that the images above ISO 800 are pretty darn noisy without in camera processing. This is probably the case with many D-SLRs that take this decision out of your hands. And that increased noise and subsequent automatic processing might be a consequence of packing more pixels on the chip. But the benefit here is that ISO 1600 and even the High ISO, which the D40x instruction books tells us is “equivalent (to) roughly ISO 3200,” yield satisfactory, albeit somewhat soft, images.”

DigitalCameraReview reviews the Nikon D40X and writes;
“The telephoto end of the lens (55mm) was quite good – slight softness at the edges, but virtually unnoticeable below 100% enlargement. There is some purple fringing in the lens (at high contrast boundary layers), but it is not readily apparent below 200%. All in all, very good performance… After shooting a D2X with a D200 as my second body for quite some time now, I was curious how the D40x would strike me in comparison. The answer is, it’s a great little camera!”

ThinkCamera reviews the Nikon D40X and writes;
“Nikon’s D40x takes great pictures, there are plenty of controls and it comes in at a terrific price. However, it’s essentially a D40 with more megapixels (one could say almost the same of the Canon 400D, too). More isn’t necessarily better; unless you print large or crop heavily, you may as well save yourself the £100 difference and go for the D40.”

Macworld reviews the Nikon D40X and writes;
“If you’re a novice photographer looking to move up to a DSLR, choosing the D40x over the D40 will mostly come down to whether you want more megapixels (for bigger prints and more resolution for better cropping), a faster burst mode, and a slightly wider ISO range…he D40x is $100 less than the Digital Rebel XTi with a comparable lens, and the Nikon has a wonderful, easy to use feel about it. Just make sure that the features you won’t get with the D40x—exposure bracketing, depth of field preview, and automatic sensor dust cleaning—aren’t that important to you.”

DCViews reviews the Nikon D40X and writes;
“Battery performance has been improved from 470 images per charge to 520 according to CIPA standards. There is still no built-in focusing drive motor however, so only AF-S and AF-I Nikon lenses with their own drive motor can be used with full program options.”

PCW reviews the Nikon D40X and writes;
“Pros: Usability; image quality; compact, lightweight body. Cons: No in-body focus motor; no depth-of-field preview. Overall: A noticeable improvement over the D40 in image quality with no reduction in speed. Its excellent usability makes it ideal for beginners who want the best quality”

ImagingResource reviews the Nikon D40X and writes;
“Here at ISO 1,600, the highest that the XTi and D40x have in common, you can see the two different approaches to maintaining a quality image at high ISO settings…The XTi takes a more conservative approach, leaving some noise in place in favor of maintaining detail. The D40x did just like its big brother the D80 did, squashing as much noise as possible in favor of cleaner, more decisive colors…. The Nikon D40x is one of the finest family cameras on the market made even better than its predecessor, which is a tall order.”

GoodGearGuide reviews the Nikon D40X and writes;
“As expected, the D40x’s noise performance is flawless. It scored 0.38% in this test at ISO 100, which is in line with other entry level SLRs. Furthermore the noise scaled excellently with higher sensitivities. Our shots were perfectly usable all the way up until ISO 800, with a sharp jump in noise when using ISO 1600. Those that regularly like to shoot at ISO 400 or ISO 800 should find this model appealing.”

DCRP reviews the Nikon D40X and writes;
“Camera performance is superb. Flip the power switch and the D40x is ready to go. Focusing times were very good, and low light focusing was excellent thanks to a powerful AF-assist lamp. Naturally, shutter lag wasn’t a problem, and shot-to-shot delays were minimal. The D40x’s continuous shooting mode is better than that of the D40, taking six RAW or an unlimited number of JPEGs at 3 frames/second. Battery life is also improved upon, though the numbers are still average in the lower-end D-SLR class. As you’d expect, the D40x supports the USB 2.0 High Speed standard, for fast photo transfer to your Mac or PC.”

LetsGoDigital reviews the Nikon D40X and writes;
“We can be brief; the Nikon D40x is a very fine and smart DSLR camera that offers a lot of quality for a low price. The D40 camera was welcomed enthusiastically and quickly left its competition behind. The different camera reviews almost always showed a positive conclusion, also with our DIWA colleagues, who awarded the D40 with a DIWA Gold Award nearly unanimously. Because the Nikon D40x is identical to the D40, I expect again a big success for this model. Once more, Nikon shows what its good at. The production of a serious SLR camera with an excellent image quality, but not forgetting what it’s all about: hassle free and pleasant photographing for everyone. For these reasons, the Nikon D40x is absolutely highly recommended! ”

CameraLabs reviews the Nikon D40X and writes;
“The D40x may have a better kit lens, but the Canon 400D / XTi has far superior AF, depth-of-field previews and full support for older lenses. Then there’s the Sony A100 which again costs roughly the same and features built-in anti-shake facilities. Both it and the Canon are technically superior cameras…As such it earns a lower rating than the D40, although still comes Recommended. It’s certainly the friendliest 10 Megapixel DSLR around and one of the best choices for ‘pixel-conscious’ beginners. If you are siding with the D40x as your first DSLR though, do ask yourself if you really need 10 Megapixels. If the honest answer’s ‘No’, then go for the D40 and save yourself some money or spend it on a new lens instead.”

CNET reviews the Nikon D40X and writes;
“The good: Comfortable, compact body design; very low noise at higher ISOs; highly customizable menus; 10.2-megapixel CCD sensor. The bad: Slow kit lenses; RAW editing software costs extra; controls can be awkward; occasionally slow to focus; no automatic sensor cleaning; RAW-plus-JPEG mode limited to basic instead of fine JPEG compression. The bottom line: The Nikon D40x makes a very nice first dSLR, though experienced SLR shooters looking for a Nikon should spend the extra cash for the D80. ”

ePhotozine reviews the Nikon D40X and writes;
“The body is light and compact, but this means that all the functions that would otherwise be on dials etc, are hidden away on menus. The lack of a top-mounted LCD is a drawback because the information that is displayed on the rear LCD never stays there for very long…While the shooting speed of the camera is a long way off the marketing claims, with just modest performance, it’s the ease of use of the camera and the results that count the most in this marketplace. On that score, the D40x is easy to pick up and start shooting with because the more advanced functions are kept out of the way initially, and the results, while lacking a great deal of sharpness thanks to the kit lens, are generally pleasing.”

ThomHogan compares the Nikon D40X to Nikon D40 and writes;
“Yes, the ratings are the same for both the D40 and D40x. While you get a bit more “performance” from the D40x due to the extra pixels and slightly faster frame rate, it’s not enough to make me give an additional star, especially given the loss of flash sync speed. Likewise, the increase in price for the D40x, while slightly more than justified by the changes, doesn’t warrant losing a full star for the D40x, either. The D40 value rating would be higher, though, if you could get the D40 without the kit lens. Put another way, body only at a lower price I’d give the D40 full marks. It’s likely that at some point in the D40’s lifespan that’ll happen.”

TrustedReviews reviews the Nikon D40X and writes;
“In the D40x Nikon may finally have got the entry-level DSLR that can give Canon a run for its money while holding off Sony’s advance. It is, by an admittedly narrow margin, a better camera than the EOS 400D in many respects, including the crucial area of overall image quality. It is easy to use, has Nikon’s traditional fantastic build quality, and performs superbly well. If you’re looking for an SLR for under £500 the D40x should be near the top of your list.”

PixInfo reviews the Nikon D40X and writes;
“No matter how hard I try, I cannot find any serious flaw when it comes to image quality. Minor problems, like the slightly over saturated reds, or the imperfect default settings could be corrected, but these don’t make the camera any worst. I feel the normal image sharpening a bit too strong. The halo effect appears around the edges with contrast. I would leave this setting on soft, and would use sharpening at processing time (the sample images were taken with normal setting, so everyone can decide). Colors are ok in Normal mode, but Vivid, and especially More vivd are producing too strong colors and over sharpened images, just like in the Nikon D80.”

Pocket-Lint reviews the Nikon D40X and writes;
“The image quality, handling, responsiveness and features strike the same great balance for its target market as on the D40 but, I for one don’t feel the extra £150 for the higher resolving sensor makes total sense for you, the buying public. Yes, it means Nikon has a camera that can go head to head with Canon’s EOS 400D, but this is more a marketing ploy than trying to bring a better product to market for the photographer. But to be fair, just like the D40, the D40x is a slightly more expensive but still excellent DSLR for the first time DSLR buyer on a more modest budget and for those that feel they really do need the extra resolution over the D40. It’s compact and lightweight too, and ultimately an excellent choice.”

CNET Asia has a preview of the Nikon D40x and writes;
“The grip on the D40X is more suited to smaller hands, so consumers in Asia ought to be happy campers. For a camera that’s aimed at beginners, it’s a pity there is no grid overlay to help with picture composition…In almost all respects, the D40X is a carbon copy of the D40. However, there are some key differences such as a new 10-megapixel sensor versus the older 6-megapixels and a lower ISO base sensitivity of ISO 100 (versus the previous ISO 200). ”

PopPhoto has done some tests for the Nikon D40x and writes;
“Noise suppression was generally better than the D80’s and much better than the Rebel’s. As ISOs increased, the D40x’s resolution exceeded that of the Rebel. Its noise levels of 0.9, 1.05, and 1.05 at ISOs of 100, 200, and 400, respectively, would qualify for a Ridiculously Low rating if we had one. (They all rank Extremely Low.) Noise reduction is applied steadily but unobtrusively at higher ISOs. At ISO 1600, noise was only Very Low, while resolution dipped by less than 5 percent, still Excellent. This is great performance — especially for $799..So if you want a tougher camera, or if you have a bagful of older Nikon AF lenses, spend $925 (street, body only) for a D80. If not, the D40x provides the best imaging performance for the buck you can get in a 10MP camera. Expect long lines at the camera store.” [test result @ PopPhoto]

KenRockwell has posted its preview of the Nikon D40x;
“For now, I’d pass on the D40x and get a D40 instead. They are the same camera, and the D40x costs much more for no significant change in quality or performance. My two favorite Nikons are my D40 and my D200; I’d pass on the D40x and D80 to save my money to step up directly to the D200 to see any real improvement…I’d suggest the regular D40 to save money. Megapixels have nothing to do with how a picture looks. The D40x isn’t worth $200 over the D40 to me, and I sometimes make prints 20 x 30″ (50 x 75 cm) and larger. The D40x is fantastic, but I don’t think it’s $200 better than the D40. ”

Let’sGoDigital has posted its preview of the Nikon D40x;
“The Nikon D40x has been made according to a concept that has proved itself within a very short space of time. A digital SLR camera with the emphasis on user-friendliness which takes an extremely simple approach to digital photograph, something that used to be too technical for a lot of people. This simple approach plus the intelligent software has made high quality photography possible in a simple way. The Nikon D40x is handily compact, without losing its stability. It is perfect for taking along somewhere quickly and is ideal for day trips and holidays. I think that Nikon has come up with an extremely strong and convincing concept and I can imagine that we are looking at yet another success after the D80, D200 and D40.”

The Nikon D40 is a 6.1 megapixel entry level DSLR with a 23.7 x 15.6mm RGB CCD sensor. The D40 features 3-AF points, an ISO range of 200-1600, 2.5 inch LCD display, 3D Color Matrix Mettering II, (center weighted and Spot Metering), 2.5 fps continuous shooting, USB 2.0, numerous program modes, measures 126 x 94 x 64mm and weighs 475g (without battery).

ThomHogan compares the Nikon D40X to Nikon D40 and writes;
“Yes, the ratings are the same for both the D40 and D40x. While you get a bit more “performance” from the D40x due to the extra pixels and slightly faster frame rate, it’s not enough to make me give an additional star, especially given the loss of flash sync speed. Likewise, the increase in price for the D40x, while slightly more than justified by the changes, doesn’t warrant losing a full star for the D40x, either. The D40 value rating would be higher, though, if you could get the D40 without the kit lens. Put another way, body only at a lower price I’d give the D40 full marks. It’s likely that at some point in the D40’s lifespan that’ll happen.”

PocketLint reviews the Nikon D40 (rating: 8/10) and writes;
“Noise is kept well under control thanks the fact the camera uses fewer, larger pixels (larger pixels are more sensitive to light so require less signal amplification thus reducing noise issues) and that good in-camera processing….The D40 is an almost perfect DSLR for those first time DSLR buyers on a more modest budget, anyone who wants a compact and lightweight DSLR or those moving across from film or trading up from a compact model. Image quality, the handling, responsiveness and features strike a great balance for its target market and you should not be put off by the 6-megapixel sensor as there’s plenty of detail here, so the D40 really should be high up on your wants list if your about spend money on a budget DSLR. “

Shutterbug reviews the Nikon D40 and writes;
“The D40 is not a camera whose functions you can change easily as you work, although most people using this camera will probably set it up once at the start of a session and keep it there. It’s not that the control for changes of ISO, single and continuous release, and other functions is difficult—it’s that, unlike many Nikon D-SLRs we’ve tested, they are all done here in the LCD menu and not via on-body buttons or switches. But the menu does, as mentioned, have very nice and bright graphics that are easily seen even in fairly bright sunlight. And they are neither complicated nor obscure, with even a Help function that’s always available as you learn the controls. Some who have shot with “externalized” control D-SLRs will find this somewhat awkward and even a step backward into digicam land, while others will not be too bothered by it due to the ease and speed with which you can make changes.”

PCAuthority reviews the Nikon D40 (Rating: 81%) and writes;
“The 18–55mm stock lens is good, but Nikon has done away with the internal focus motor of previous cameras. The upshot is that you’re restricted to either AF-S or AF-I lenses, so the D40 isn’t necessarily a good choice for those who already have a selection of Nikkor lenses – most won’t be able to focus automatically, and some, such as the IX range, won’t work at all. The camera also lacks exposure bracketing, which more advanced users will sorely miss.”

CameraLabs reviews the Nikon D40 (Rating: 5/6) and writes;
“Nikon has certainly succeeded in designing an ideal camera for first-time DSLR owners. The D40 is small, light, very easy to use, rarely fooled by anything and simply delivers great quality pictures. So it’s the perfect entry-level DSLR, right? Well it would be if it weren’t for that pesky Canon 400D / XTi. The D40 may be easier to use and arguably more comfortable to handle, but the Canon’s got numbers on its side: 10 Megapixels compared to the D40’s six…But if you can accept the AF limitation and realise the D40’s resolution is genuinely sufficient for most requirements, it really is a superb option for anyone buying their first DSLR. It’s small, light and easy to use without compromising handling, and confidently delivers excellent results in a wide variety of conditions. A handful of extra Megapixels aside, you couldn’t really ask for more. “

DigitalCameraInfo has a review of the Nikon D40 (4/5) and writes;
“The Nikon D40 is a disappointment. As Nikon has introduced entry-level DSLRs, the company has tended to make them a little more expensive and a little more capable than much of the competition. In this case, it hasn’t. The D40’s auto focus system is old-fashioned. It’s a backward step, which is something that DSLR manufacturers do at their peril these days. The D40’s color is clearly tuned to the snapshot market, which likes eye-popping color, but our results indicate that Nikon went over the top in saturating the reds. The D40 offers plenty of in-camera image editing, but that’s not a distinction that provides a significant advantage over other entry-level DSLRs. The Nikon D40 is affordable with a retail price of $599 and a kit lens included, but there are other entry-level DSLRs with similar prices that offer more. “

PCMag has a review of the Nikon D40 (4/5) and writes;
“Color in my test shots, however, was very good and quite vibrant. That said, some of my daylight photos were a little too red, and a few flash photos exhibited a slightly bluish tint. Overall, there was very little fringing. In my flash test shots, I found that the strobe blew out highlights. Moreover, the higher the ISO, the more this problem occurred…The Nikon D40 has some wonderful qualities and certainly keeps pace with most entry-level D-SLRs. Even so, it just misses the EC-winning mark set by the Nikon D50 and the Canon Rebel XTi when it comes to picture quality and performance. “

DigitalTrends has a review of the Nikon D40 and writes;
“The Nikon D40 is a good camera for the money. Photo quality is better than acceptable, in fact, it’s downright fine, especially the 8.5×11 prints I turned out. It’s clearly targeted for first-timer D-SLR buyers who do not have any legacy lenses. If you are one of them, you might give it strong consideration. However, the camera is not as responsive as cameras such as the 10MP Canon Digital Rebel XTi or Sony alpha but those will cost close to $200 more. If you want a more robust camera, I’d spring for the extra green. And if you own Nikon lenses that don’t work with this camera, check out the D70s or D80. Still the D40 will fill most of your photographic needs if you’re taking the leap from point-and-shoot to a “real” camera. “

DCViews reviewed the Nikon D40 and wrote;
“We are pleased to see that the Nikon D40, although a scaled down model from other Nikons in size, does not lack any vital functions. This is a very responsive camera that comes with dynamic, three area TTL phase detection auto focus; three metering options with Nikon’s exclusive 3D colour matrix metering II; an ISO range of 200 to 3200 and extras like flashlight compensation and exposure compensation (without bracketing incidentally). Images can be captured in JPEG or RAW format and there is an extensive in-camera retouch menu with many editing functions for those wanting to get creative. The fact that it is “only” 6-megapixel in today’s market is not a disadvantage as large prints (A3 plus) can still be made with excellent results.”

MacWorld reviewed the Nikon D40 and wrote;
“At $599, the Nikon D40 is a great value, and a great tool for photographers who want to grow. The included help system and aperture displays are fantastic learning tools, and the fact that the camera provides full priority and manual modes, as well as Raw, ensures that you won’t have to compromise as your shooting prowess grows.”

GoodGearGuide reviewed the Nikon D40 where they rated the camera 4/5 and concluded;
“Colour performance was about on par with other SLRs, with Imatest awarding the D40 a score of 9.76. Colours were quite strongly saturated, with reds and blues in particular highlighting this issue. Those after exciting, vibrant shots will be pleased with the colour balance, but image purists may need to do a little correct before they are satisfied….The other thing about the D40 that really stands out is its speed. This is one of the quickest, smoothest cameras we’ve ever used. Auto focusing takes a split second, and is performed with precision and accuracy, while a shutter lag of just .07 of a second, .9 seconds of power up time, and .5 seconds between shots means the D40 is fast enough to keep up with all but the most demanding user.”

PopPhoto reviewed the Nikon D40 wrote;
“The Nikon D40 isn’t for everyone, but it will certainly appeal to first-time DSLR buyers who want an excellent camera with controls and features that they can grow into and eventually master. It outperforms any compact camera in its price range, and while it has competition from other entry-level DSLRs (especially the Pentax K100D with Shake Reduction) it’s a proud member of the Nikon family.”

PCW have reviewed the Nikon D40 where they rated the camera 4/5 and concluded;
“Pros: Usability; price; size; image quality. Cons: No autofocus motor in camera body; no depth of field preview; 6megapixels limits print size and cropping potential. Overall: The D40 costs around £50 less than the D50 and we feel it’s a better camera, despite the lack of internal focus motor and top-mounted status panel. It’s smaller, lighter, has a bigger LCD screen and a host of new features”

ByThom reviewed the Nikon D40 where they rated 4/5 for its performance and wrote;
“Drawbacks: Kit lens blues. The 18-55mm is a more than decent lens, but I’d like to have the option to buy a body only. The D40 would have been killer with an 18-70 VR or 18-135mm VR, by the way. The current purchasing option is a bit limiting, Nother new battery. Did we really need another new battery just because the camera is a smaller size? Not for the late-to-the-party film converts. If you’ve got mostly AI, AI-S, and older AF lenses and are just now getting round to going digital, the D40 isn’t the camera you want, as you’ll be resorting to manual focus. Positives: Small and beautiful. Makes you wonder why 4/3 was necessary. And for a consumer camera, the frame rate, mirror return, shutter lag, and autofocus are fast enough to feel snappy. Most of what you need. While it would have been nice to have a DOF Preview button, everything else you’re likely to want is there, including spot metering. Excellent Image Quality. State of the 6mp art. Enough said.”

PhotoReview reviewed the Nikon D40 and wrote;
“The D40 would be a great buy for an amateur photographer who wanted to move up from an advanced digicam to a DSLR or for anyone who wanted to learn more about digital photography. Its graphic display setting and the easy access to text-based help in the camera will give users confidence to try new settings and make it easy for them to improve their picture-taking. Retaining the 6.1-megapixel sensor allows Nikon to offer this camera at a price that is affordable – and competitive. For those making their first ventures into digital SLR photography, the D40 could be the start of a satisfying relationship. “

HardwareZone reviewed the Nikon D40 and wrote;
“The Nikon D40 is an interesting DSLR camera. Despite being small and lightweight, it boasts a good balance of imaging quality and affordability like no other in the market, offering aspiring photographers a decent DSLR camera to start off their photography journey and seasoned photographers using Nikon cameras a capable backup unit. In truth, at USD$599.95 (with kit lens), the D40 is as good as it gets to turning your dream of owning a Nikon camera into reality.”

ComputerActive reviewed the Nikon D40 and wrote;
“Good points: A lot of camera for not a great deal of money, Helpful on-screen guides and user friendly, Lens included in the kit. Bad points: Some pixel fringing visible when images examined in detail, Kit lens could do with being upgraded when you can afford it, Memory card costs extra. Overall: Though not quite matching performance from professional SLRs, the Nikon D40 produces images that are a cut above the best compacts and deserves to do well against closest rival the 400D from Canon. For those who want better-looking pictures without taking out a second mortgage, the great value (particularly with a bit of an internet search), swift performance and solid construction of Nikon D40 ensure it will be high up on any family photographer’s wish list.”

DigitalCameraReview reviewed the Nikon D40 and wrote;
“The Nikon D40 is the “gateway drug” into the world of digital SLRs. The combination of nice price, high quality and ease of use is certain to lead to SLR addiction. With the D40, Nikon wants to make sure that you’re not intimidated by the controls or size of an SLR and I think that they’ve done a good job. Also, by including plenty of “help” features into the camera, it becomes very easy to figure out which setting does what. Besides all of the features th make this a beginner-friendly camera, the D40 takes great pictures. It provides all of the flexibility and creative options that a beginning SLR user will need. The camera performs quickly and takes great shots. Sure, there are things about this camera that you could nit-pick, but I think that a package like this, with the quality and value that it provides, will be responsible for getting more people into using a digital SLR than any previous digital SLR. I would highly recommend this camera to anyone looking for their first digital SLR and aren’t entirely comfortable with all the options that an SLR can offer. When you first get the camera, you can leave it in auto mode and enjoy the quick operation and excellent image quality that you get from an SLR. When you’re ready, you can start using the manual exposure modes and then start thinking about all the cool glass that you could get.”

Steve’sDigicams reviewed the Nikon D40 and wrote;
“Bottom line – Nikon’s D40 is not only an awesome little dSLR that captures great photos with robust performance, it also has a very pleasing price tag of $600 or less (and remember this is for the body and the lens.) In fact, we bought our D40 from B&H Photo for about $572 shipped! The only annoyances I had with the D40 was that you have to enter the Setup menu to “unlock” the rest of the available settings, File number sequence is set to Off from the factory (which means every time you format the SD card, it starts over at image number 1 again — you either have to rename them or make a new folder), and I do miss the data LCD on top like that found on the D80. That said, I feel this model will make an excellent camera for any user who wants a more versatile camera over their consumer digicam, and don’t feel like breaking the bank in the process.”

PhotographyBlog reviewed the Nikon D40 where they rated the camera 4.5/5 and wrote;
“The all-plastic body and 18-55mm kit lens don’t initially inspire that much confidence, although they are fine in actual use, and there are a number of missing features that more experienced photographers will regret not having, such as depth of field preview. Crucially Nikon haven’t shrunk the size of D40 too much, as Olympus and Canon have done with their entry-level models, which makes the camera a lot more useable for people with average to large sized hands. Ultimately the Nikon D40 provides almost everything that most photographers need in a camera (digital or otherwise), whilst delivering great ease of use, responsive performance and very impressive image quality. Highly recommended if you are looking to buy your first digital SLR camera.”

PCmag reviewed the Nikon D40 where they rated the camera 82/100 and wrote;
“The D40 comes with every feature that most users in this market will want, including adjustable ISOs, raw mode, scene modes, and all of the image-processing features built in to the D80. Nikon’s excellent D-Lighting feature for brightening images–plus in-camera red-eye correction, monochrome conversion, and more–is readily accessible from the camera’s menus. The only conspicuously missing feature is a depth-of-field preview option. At $600, the D40 is a great value, and a great tool for photographers who want to grow. The included help system and aperture displays are fantastic learning tools, and the fact that the camera provides full priority and manual modes, as well as RAW, ensures that you won’t have to compromise as your shooting prowess grows.”

Photoxels reviewed the Nikon D40 and wrote;
“The Nikon D40 is not too expensive or big, and set to P mode, is easy enough to use for P&S photographers (provided someone knowledgeable customizes it for them first). I like the excellent ergonomics, quality build & feel, and compact size of the Nikon D40. A thorough read of The Nikon Guide to Digital Photography with the D40 (aka User Manual) is necessary to make the most of this versatile camera..The Nikon D40 DSLR is the smallest Nikon DSLR to date but don’t take that to mean there has been compromises in image quality. With 6.1 megapixel resolution on an APS-sized (23.7 x 15.6mm) CCD image sensor, Nikon has shown the wisdom of leaving behind the futile megapixel race and concentrate on image quality instead…..”

Megapixel reviewed the Nikon D40 where they rated the camera 9.5/10 and wrote;
“The ergonomic design of the D40 is excellent. In hand, the camera is a bit of a surprise because of its small size and feather weight (with the kit lens). The layout of controls is intuitive and very quickly comfortable to use. Moreover, the Shooting Information Display can be customized if desired, useful since it is the only means of verifying settings on the D40, and the monitor is bright and very legible. However, two small regrets can be expressed: there is no viewfinder composition grid, and there is no Depth of Field Preview….”

ImagingResource reviewed the Nikon D40 and wrote;
“Though the Nikon D40’s kit lens is pretty good, and also fast and quiet, we were a little disappointed with the significant flare we see in its images with high contrast elements out toward the corners, even in the middle of its zoom range. Its chromatic aberration was also fairly high at wide angle, but none of these minor problems were significantly different from other comparably priced offerings. The lens performed very well in most circumstances, so it’s well worth the price. The Nikon D40 stands up well against the competition — even those with higher resolution — with great image quality at all speeds, and near-perfect utility as a family camera. It’s tough to ask for more. The Nikon D40 lives up to our expectations, and even exceeds them. There’s no question that the Nikon D40 is a Dave’s Pick.”

Let’sGoDigital reviewed the Nikon D40 and wrote;
“One of the strongest plus points is the simple, straightforward operation, which makes good use of the fantastic screen on the back of the camera. You can change the most important settings very easily…Normally I’m not much impressed by entry-level models, but I really enjoyed testing the Nikon D40 SLR. It’s not often that I’m this enthusiastic about a camera. It’s a nice looking camera, wonderfully compact but still sturdy. Above all, it’s a great camera to operate, and produces fantastic pictures. The settings have a lot of possibilities, without being bewildering. If you are thinking about taking the step from a compact camera to a SLR, you should absolutely go for the D40. If you do, don’t forget to buy a Nikon SB-400 flash. Any photographer could easily fall in love with this set. It’s absolutely wonderful! “

KenRockwell reviewed the Nikon D40 and wrote;
“My D40 is easy and fast to use. I figured out how to set the clock and add my contact information and copyright notice to every image automatically and have never opened the manual. Actually, I’ve learned everything you read here I still haven’t opened the manual…I’m suggesting the D40 to my friends who just want great pictures of family, kids and friends. The D40 is for normal people who just want great pictures, not photographers who want fancy cameras. “

DCRP reviewed the Nikon D40 and wrote;
“Photo quality was also very good. Nikon has tweaked the camera to produce what I’d call “consumer friendly” photos, with high color saturation and higher sharpness than on more expensive D-SLRs. Noise levels are very low, even at ISO 800. ISO 1600 is still usable, especially if you do some noise reduction in software. I’d probably save ISO 3200 for desperation only…If you’re ready to enter the world of digital SLRs, the Nikon D40 is a great way to do it. It offers a compact, truly portable body, great performance and photo quality, and a really user friendly interface for not a lot of dough. I can recommend the D40 without hesitation. I would say that the Canon Digital Rebel XTi is a somewhat more capable camera, but it also costs nearly $200 more. With that in mind, try both if you can, but don’t think that you’re giving anything up by getting the D40 — you’re not. “

ePhotozine reviewed the Nikon D40 and wrote;
“As an entry-level camera, the improvements over the D50 are all in the right areas. Sticking with the 6.1MP sensor is a sensible move, as most folk do not need the resolution offered by higher pixel counts and the saving in both hard disc storage and processing speed will be appreciated by many, even if they don’t know it. The image quality from it is good enough to beat most compacts anyway. The size and weight will appeal too, as there is virtually no weight penalty over the larger bridge cameras and, for the first time with an SLR, I could actually get it in a coat pocket comfortably. Positive points of the Nikon D40 dSLR are: Easier to use than its predecessor, Useful additions to in camera abilities and menus, No weight penalty over prosumer with kit lens, Good noise control. Negative points are: Loss of top, screen, although increased rear screen compensates, New battery not compatible with others in the range, Only supports SWM motor lenses, No optional vertical grip. “

CNET reviewed the Nikon D40 where they rated the camera 7.5/10 and wrote;
“However, raw and JPEG shot-to-shot time is an excellent 0.6 second (lower than the shutter lag because the camera doesn’t need to focus a second time), as is the flash time, which only adds 0.3 second. In continuous-shooting mode, the D40 outshines the rest of its class with 2.5fps; the Canon EOS Rebel XTi is a mite faster, but the D40 can keep it up for far more frames. If you’re just looking for a great, cheap dSLR, the faster, higher-resolution Canon EOS Rebel XT is probably a better bet; and if you’re an experienced shooter, you might want to spend more for the Nikon D80. But if you’ve got a budding photographer in the family or want to step up to your first dSLR, the Nikon D40 is a great choice. The bottom line: The Nikon D40 is a great transition camera for going from point-and-shoot to your first dSLR. “

Let’sGoDigital reviewed the Nikon D40 and wrote;
“Nikon D40 digital SLR camera – Absolute wonderful!Normally I’m not much impressed by entry-level models, but I really enjoyed testing the Nikon D40 SLR. It’s not often that I’m this enthusiastic about a camera. It’s a nice looking camera, wonderfully compact but still sturdy. Above all, it’s a great camera to operate, and produces fantastic pictures. The settings have a lot of possibilities, without being bewildering. If you are thinking about taking the step from a compact camera to a SLR, you should absolutely go for the D40. If you do, don’t forget to buy a Nikon SB-400 flash. Any photographer could easily fall in love with this set. It’s absolutely wonderful! “

ePhotozine have published a hands-on review of the Nikon D40 where they write;
“Although a lower numerical denominator has been used (and I wouldn’t for one moment think that was to upset Canon’s 10D, 20D, 30D sequence) the new model is an improvement on the existing D50 in it’s ease of use, and the number of features inherited from the D200 and D80, help it to work much faster too. Nikon aim to capture 40% of the dSLR market over the next three years and by getting their entry level offering so intuitive, they will make inroads into the target with this model.”

ImagingResource have published a preview of the Nikon D40 where they write;
“The second thing that struck me about the D40 was that it clearly feels like a camera, and a Nikon camera at that. It doesn’t have quite as many external controls as its big brothers, the D80 and D200, but the user interface and its feel in your hand are both very comfortable. While it’s aimed at novice users, it in no way comes across as a “dumbed down” camera – The D40 is clearly all Nikon; its heritage is apparent throughout. The body itself has a very nice feel to it. As you’d expect in a low-priced camera, it’s largely made of plastic, but nonetheless manages to escape the cheap, plasticky feeling of many plastic-bodied DSLRs I’ve handled in the past. Its huge 2.5 inch display is very bright and readable: I didn’t have a chance to play with it outdoors in the sun, but it appears to be the same display as used on the D80, which is quite good. In even bright indoor lighting though, it’s very readable.”

DPNow have published a preview of the Nikon D40 where they write;
“It goes rather like this: on the one hand, the D40 should be a good thing as its lower resolution specification should validate our argument that too many pixels can be unhealthy. In theory, the D40 should benefit from superior noise and dynamic range performance compared to 8 and 10 megapixel rivals. But will the theory prove correct and are buyers going to be convinced with gleaming 10MP logos beckoning them? “